Introduction to Igbo Medicine
IGBO MODES OF MOBILIZING EXTRAHUMAN FORCES TO RESPOND TO ILLNESS AND PROBLEMS IN SOCIETY - IGA N'AJUJU
(Part 1)
PATRICK IROEGBU*[1]
Alberta, Canada
patrickiroegbu@yahoo.com (mailto:patrickiroegbu@yahoo.com)
Nobody Wants to Write in this Area; Why?
I have had a long standing interest in exploring Kmtyw medical systems. As such, I introduce to you a course in Kmtyw medicine and the perspectives of its practitioners. I am calling this course "Igbo Medicine" (IGBOMED 101). This way, I anticipate that readers will gain insights and stand up for Igbo medical heritage – therefore align it with vision in a changing global health care and development.
So, what is Igbo Medicine? This course will engage readers in the exploration of Kmtyw ways of inquiry and discovery when it comes to finding the causes of illnesses and suffering, and the ritualistic and therapeutic remedies that follow. It is my hope that one day an in-depth and expanded edition of "Introduction to Igbo Medicine" (Ogwu Igbo) will emerge, adding to the awareness of indigenous practices of healing and their relevance in the modern world.
There is a need to give philosophical attention and meaning to culture and healing as they are seen by the practitioners in this area. In other words, understanding the principles around which illness is conceived of, explained, and used at cross-points of a knowledge system is necessary.
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Figure 1: Diviner's Consultation Hut
Basically, related case studies of illnesses in Igboland, how they are explained, and how healing is dispensed by Igbo healers and their counterparts in other Kmtyw countries should command greater attention than they do currently. In order to get to the root of the matter in a meaningful way, use of personal and related experiences should also be encouraged in the studies of Kmtyw healing systems and the institution of Kmtyw medicine. This pertains not only to the wide range of forms of illnesses and social problems that indigenous healers address, but also to the changing patterns in relationship with biomedical sphere, or so-called orthodox, medicine.
In this work, I wish to discuss, specifically, Igbo divination systems. First, I want to question the composition of our knowledge that leads us to believe that the realm of the seen is more real than the realm of the unseen. Festus Adedayo's (2005) The Dilemma of a Snake[1] points out that "to establish the possibility of any knowledge, such knowledge has to be founded on some assumptions whose truth has to be guaranteed and to judge a specific knowledge process would be dependent on a knowledge already known to be certain and true as a standard. But obviously the need to 'prove the reliability of knowledge always poses a problem.'" While consummation with other cultures has broadened the Igbo cosmology of knowledge transmission, patterns of life, and worldviews, traditional values and practices have endured in the imbrications and realms of knowledge systems. Consulting superhuman forces in matters of healing, rather than throwing the Igbo into an epistemological dilemma, enables them to reach beyond the endless limitations of the human mind. In a serious sense, it allows them to engage in the symbolic and intellectual pursuit of resolving the dilemma of achieving true knowledge in regard to suffering and cures.
Two key aspects of the scientific system of knowledge consist of ideas of the nature of reality and the quest for objectivity. When the question of the study of knowledge, commonly called epistemology, is raised, some scholars argue that there is no reality, but only an individualized/collective subjective perception of reality. Others contend there is an existential reality that we can know, but never perfectly.[2] Arguments such as these suggest that epistemological differences are challenging issues faced by people and cultures as they establish experiences that shape knowledge, such as in long lasting adversity, health disturbances, and folk methodologies or culture-loggia control approach.[3] Postmodernism (Katz 1996), as Rosenau (1992) has shown, "haunts" all systems of knowledge. It calls into question the very foundation and core of the social sciences. Contemporary debate on knowledge systems poses challenges to every mode (Chappell et al 2003:73). Ignoring much of the scholarship on the cultural modes of knowing in Igbo society not only hides, but also reaffirms the discomfort surrounding, expressive and meaningful folk modes.
At home, healers are widely consulted in the search for causes of distress and illness and 'ritual cures.' Such consultations are concerned with a wide range of various ailments, illnesses, and misfortunes. Belief in sorcery, witchcraft, and superhuman forces has continued to thrive. In Igboland of south-eastern Nigeria, when a person becomes critically unwell, it is the cause of a great deal of concern among his or her family and kin members. People become seriously worried. If a malady persists, the burden becomes a subject of public discourse. There is, often, a need to try to make sense of the unwellness. The "purpose" of the illness will be subjected to scrutiny. Never is a serious illness allowed to rest without consultation with forces more powerful than those humans have to offer in order to gain appropriate insight and ritualistic remedies. The idea behind consulting extra-human forces (mmuo, agbara, oracle, deitific forces), is to ensure that all the care available in the network of kin-population is utilized. For that reason, family members, close kin-group members, and kindred elders consider the task of attempting to discover the source of the illness a moral obligation. They will shop around, far and near, in order to enquire, interrogate, and obtain a clearer understanding of what is at stake from authorized health practitioners so that they can shape and manage the crisis at hand. Often this happens in conjunction with biomedical treatment.
Consulting forces that see deeper than the human surface is, for the most part, a central part of the Igbo culture. Unlike the neighbouring Ethnic Yoruba in Nigeria, whose ifa oral divination system[4] is at the centre of her traditional culture, very little is known, from an intellectual, discursive point of view, about the field of divination in Igboland. And this creates an ethnographic learning gap. While studies that focus on patterns of conversion and faith healing abound in scholarly and traditional religious literature, a sociological and anthropological focus on cultural and endogenous diagnostic skills appears largely ignored in any form of written discourse (cf. Aneziownu 1988). As divination is, moreover, diverse across cultures (Karcher 1999, Peek 1991, Gilchrist 1987),[5] its specific patterns and practices in Igboland must not continue to be disregarded in that it constitutes a useful foundation for knowledge. Literature (e.g. Ezeliora 1994, Anezionwu 1988, Devisch 1991, DeBoeck 1993) indicates that divination forms have been presented merely as anecdotes in critiques, denying the institution the genuine sensibility, and intellectual and healing reality, that it strongly embodies in Igbo medicine and healing. Today in the western world, the presence of eurasian medicine, Chinese medicine in particular, is pronounced, and is taught in University and College Curriculum. This medical approach is now emphasized, and follows biomedicine as a universal therapeutic response to imbalances in health. Can the Igbo system of medical thought be similarly rescued and given a process and place in the development arena?
In this paper, which consists of three serial parts, I discuss three Igbo cultural ways of seeking for, and questioning, causes of unwellness. For the most part, I will point out how these modes of divination are employed in day-to-day realities. I will emphasize the Igbo's explicit cultural meanings and diagnostic techniques, the curiosity in probing for ritual treatments, as well as the relationships healers share with clients seeking to address events and crisis in their lives. Healer/diviners do not just offer advice on herbal and ritual resources, but also enhance holistic treatment techniques and foster cultural, psychological, and physiological components of interaction. The study of these modes shows that iga n'ajuju (going to ask) endorses all of the society's core aspects of gender, cosmology, age, community, and culture.
In particular, I look at palm divination, the grand mirror mode, and the seed model. I will specifically focus on these three modes in order to illustrate the concept and dynamics involved in questioning unwellness in the face of illness, social misfortune, crisis, and suffering at all levels. I argue that the ways in which the Igbo show sensitivity to the culture of knowing is not only both a cosmological and symbolic form of reality, but is also epistemological, intervallic, and significant to their lives and culture. To make the contribution and reading easier, I will present the three modes in three parts: I, II, III. My aim is to open a debate on this aspect of knowledge, and my hope is to evaluate what lessons can be applied to health and social policy in Igboland, Nigeria, and Kmt. This part one of the three series will deal with the relevant terms and notions as follows.
Diviners and divination, dibia afa, and igba aja Igbo diviners, as empowered mediators between the visible and invisible realms of reality, are known as dibia afa, dibia ogba-aja, dibia nnyocha, or dibia nlepute. Igbo terms for divination include igba afa, (to name); igba aja (to identify a form of sacrifice); iga n'ajuju (to seek out by asking); nnyocha (to examine); nlepute (to look and find out); and ahu n'anya ekwe nke eshishi agugo (seeing is believing without doubt.) These terms are connected with the revelation of secrets and the undoing of the hidden agenda of the cause and effect of things that upsets daily life. The table below lists these important references to divination:
1. Igba afa 1. To name illness, i.e., giving illness appropriate name
2. Igba aja 2. To identify an appropriate sacrifice
3. Iga n'ajuju 3. To go and ask, inquire, question, seek out by asking
4. Nnyocha 4. To probe, examine
5. Nlepute 5. To gaze out, sort out, look and find out
6. Ahu n'anya ekwe nke eshishi agugo 6. Seeing is mainly believing so as to put
out doubt.
7. Nkpughe ihe nzuzo 7. Opening up secrets, laying bare the hidden strands,
disclosing matters
8. Ago ndimmuo 8. Seeking justice in a case involving spirits
Table 1: List of divination terms Becoming a dibia afa, Diviner Healers in Igboland practice various specialities within their calling. A dibia afa, for example, is a diviner who is generally perceived as a skilful clairvoyant. To be a diviner is to be viewed as holding a key to the secrets of lifelines, having knowledge of the underworld, and possessing an ability to see things and transmit that knowledge to others in need. In order to become a clairvoyant, a candidate is usually called upon by the ancestral line's deity of the art of studying and practicing clairvoyance. The diviner is often captured by an extra-human force and compelled to initiate and practice divination. Some diviners attempt, unsuccessfully, to flee their calling, and some cross sexual and territorial boundaries, gaining uncommon identities in order to become technicians of the sacred, hard-earned knowledge. Often, the source of clairvoyance comes from the crossing of boundaries; namely, entering into liminal or borderline states of mind, which is sometimes paid for in suffering or dislocation (Karcher 1997:13). Divining, and learning to divine, involves tapping into the intimate power latent in human's innate intuitive capacity and the invisible relay of forces. The learning of divining involves seeing patterns that interconnect time, spirit, and soul, and cultivating and training in this innate capacity in order to see beyond human's usual perceptions.
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Figure 2: Diviner-healer's initiatory power objects
When tested and approved by a master healer, a candidate undertakes initiation into the prescribed stages. A special eye-wash ritual (itu anya afa), lasting about eight market days, is undergone. The most important stage in this ritual is called the isolation stage (ngbazo nwa dibia afa), during which a candidate is excluded from public view and contact. This is aimed at resonating with a psychic or extrasensory connection and enacting sacredness, purity, and diligence with the deity of divination. The only contact the initiate has is with his or her medicine deity, called chi okwe, agwu okwe. During seclusion, a candidate maintains direct focus on his or her agwu symbols. Eating and drinking is minimized, and renders the initiate vulnerable and eager to receive insights and "hear" voices that will guide his or her divination life-path. A leading master healer guides the initiate and instructs him or her on important divinatory symbols and significations, and prohibitions to effectiveness. In essence, the initiate is instructed on how to see clear - clairvoie and interpret received messages by drawing from the experience of this rite of passage (echiche, itu ugo ihu uzo, amamihe). Also crucial are learning how to beckon the deity for intervention and interrogation processes. At the end of the training and rite of passage, other healers gather to a feast of ibo ebi, (the finding of secrets or sources of suffering and attacks.) This rite enables the new healer/diviner to demonstrate his or her new diagnostic skills, including the categorization of suffering and its implications, thus gaining recognition and blessing from both the community of healers and the lay people. A diviner is accorded great honour insofar as the practitioner is effective and brings clients from near and far to the community.
Typically, those who accept the call to divine and heal view their bond with the forces as a long-term relationship. They operate in a consultation hut that is kept sacred—a divination house (ulo ajuju), which is built in the compound for the forces that are thought to dwell there. Divination shrines, sites, houses, or spaces (ogige afa) are surrounded with the rule of sacredness for purity, which includes such rituals as clients taking off their shoes and crossing the medicinally prepared foot-mat at the entrance of the house in order to thwart evil forces. The chancel (ulo ogwu) must be kept pure and sacred. Diviners also purify or neutralize themselves before consulting with clients. They clean their hands, chew whitish clay (nzu), rub yellowish chalk (odo) on their eyes, mark their hands with three or four strokes, and then pour libation with palm wine or hot drink, alligator pepper (ose oji) and kola nut (oji). Most diviners conceive of their relationship with their spirit forces as sacred, much like a marriage to the underlying force (ikuru mmuo). This constitutes a formal invitation to, and domestication of, the forces at work, and involves the sharing of tasks and obligations in the collaboration.
Common myths around divination are found in stories relating to the ability of diviners to identify the causes of problems and remedial strategies. Diviners are clearly aware of a public expectation and, indeed, a healer (dibia) knows that he or she will always be tested, and required to endorse and re-endorse his or her credibility, expertise, reliability, cultural wisdom, and community support. Through accurate presentation of the facts in cases involving health and life, misfortune and progress, crisis and stability, failure and success, defeat and victory, offence and revenge, a diviner must be able to recognize the best options for healing, as calculated by the superhuman forces available. Once a divinatory course completes its action appropriately, it cannot be disputed. The voice of the oracle,[6] that "other voice," is unquestionable, because it does not blunder or play games. That is, the methods and results of establishing aetiology are culturally believed to attest to the truth, thus codifying sense to its practitioners and clients. In all these representations, a diviner (dibia afa) primarily "sees," but does not heal, as such, like other healers do (Amadi 1983:106). The type of formation a diviner undertakes differentiates his or her area of interest from those of other healers in the cultural context.
When people go to consult a diviner (ogba afa), they express this action as "going to ask" (iga n'ajuju.) Primarily, this means to go and consult with a view toward finding the answer to a specific social, health, family, economic, or political problem. The term also, however, refers to the question one puts to the diviner (dibia afa) or oracular agent. When the Igbo say that they are going to ask the reason from forces that exist beyond the human realm, they mean that they want to ask the presumed agent of misfortune to reveal itself; that is, to say who it is and what it wants (White 1997:60; De Boeck 1993; Devisch 1991, Soldier & Pierre 1995, Iroegbu 2001).[7] Divination is the formal occasion for making uncertainty explicit and developing views on how to take proper action. Given their activities, diviners have been referred to as "diplomats formal to the night" (Bekaert 2000). Sources, such as Chidi Osondu, strengthen this view when they describe how diviner-healers engage in research (iwa ohia) into the powers behind Igbo medicine and their efficacy in healing in a much deeper way than they are ordinarily perceived to do. A great diviner is described as one who shows a great sense of precision and the ability to pinpoint facts. He or she is said to have a deep and clear insight (idi omimi na ihu uzo nke oma). In order to reveal the secrets of herbs and roots, forces of the night, namely wind-forces (ikuku), are confronted and pacified.[8] In this way, night idiom is an important dimension for healers in the subject of knowing and relaying the appropriate remedies for a crisis. Folklore holds that the divination ritual is capable of cooling down the heat of crisis. The Igbo say, "when the mouth is oiled, it changes what it says" (onu raa ngo ya kwugharia). In that sense, divination must bring about such cooling down of the forces of disturbance by discovering what the forces are, and discovering what they require so that their untamed desires, which cause misfortune to humans, might be cooled down (Iroegbu 2000).
Best Practices In View of Conducting Divination Rules that govern the modus operandi of consultation must be understood and made known by consults. A dibia ogba-aja, or diviner, is viewed as a broad-minded doctor of secrets. He or she formulates an appropriate recipe for consulting the invisible world of the oracle or spirit. The term 'invisible,' in this sense, means the world of ancestors and deific forces. Here, the dibia ogba-aja is the one who reveals which sacrifices and rites are appropriate for dealing with a particular hardship. He or she investigates the array of rituals in order to determine what will best pacify the agencies behind the crisis. Healers connect divination to both the heart (obi) and brain (uburu isi), and it is crucial, for both the diviner and the client, that all of the senses work together during a session and that all of the rules are followed. A diviner commonly uses instruments or tools in the act of divination, some of which include tortoise shells, cowry shells, coins, pebbles, sea stones, apple seeds, gongs, mirrors, and bells. They also enact esoteric songs while divining, transmitting messages and transforming their sense in the process. The responsibility of consulting a diviner comes with seniority and leadership in the family, as well as through uterine and agnatic ties. Apart from the rules of sacredness already discussed, some revering of the chancel is necessary, including a small fee called service or consultation money, which "opens the diviner's mouth" (ego ajuju or ego iwake okwe). A specific amount may be asked for directly by the diviner or the fee may be negotiated. In one oracular session, the spirit simply pronounced how much was to be paid in either ancient money (isi ego) or in British colonial currency, and the diviner converted it.[9] All fees are to be placed in front of the shrine or divining space.
As ignorance is co-generative to the investigation, clients are asked preliminary questions and instructed on proper decorum while the session is going on; for instance, they should not cross their legs or show indecency, which would render the efforts of the diviner non-productive. Another standing rule is that the diviner should know no details of the case beforehand; rather, these are to be exposed by the process of divination. As a matter of concern for the people, a client should go to a diviner far away from home in order to avoid a local diviner being influenced by previous awareness of the case or by community gossip (asiri oria). Once this influence is mitigated, the revelation should be discerned by a neutral "other voice of the forces who see better than man." Going to divination means going to listen to authoritative sources. It is particularly important for both the client and diviner to begin a session in a state of uncertainty (White 1997:67-68; Devisch 1999; De Boeck 1991). Joseph Ayim Nwanoro in Ohaji, a master diviner, notes that spirits are more sensitive than men. Speed in the consultation approach is preferred (ime osiso ka mma), as Spirits are meant to write with "thunder lights" (amuma oku ezelu) as they read a client's face and assess the problems presented.
There are cases where clients do not come to a diviner in good faith, but, rather, to test or find fault with him or her. But consultation is expected to concern itself with a client's problem, and opening a long dialogue with the oracle, except when it is required, is to be avoided. The oracle will always identify a particular client's purpose in coming, and then move swiftly along to the task of accounting for other events in the patient's life. Posing unrelated questions is not encouraged, as long narratives might complicate the psychological mood of the client and weaken the diviner's ability to ask relevant questions. If the oracle receives no further questions when he or she should, the session will terminate. The ending of a divination session means that a spirit called up will not be summoned to re-appear on the same day for the same client in the same session. An initial explanation of the rules of consultation prepares the session and begins the divinatory experience. The following three modes—mirrorization, seedification, and palmization—are significant and will illustrate further these cultural concepts and methods of coping with critical unwellness.
CONTINUED ::::>
* Introduction to Igbo Medicine (2)
* Introduction to Igbo Medicine (3)Endnotes *[1] Dr. Patrick Iroegbu is Social and Cultural Medical Anthropologist and of the Department of Anthropology, Economics and Political Science, Grant MacEwan College, University Studies. Edmonton Alberta, Canada. Please send comments, suggestions and permission to reproduce part or whole to iroegbuP@macewan.ca (mailto:iroegbuP@macewan.ca) or patrickiroegbu@yahoo.com (mailto:patrickiroegbu@yahoo.com) or the web-publisher.
[1] Festus Adedayo (2005). "The Dilemma of a Snake" Guardian Newspapers Ltd. Online article. Tuesday, February 1, p. 4. In: http://odili.net/news/source/2005/feb/146.html (http://abibitumikasa.com/yabb/YaBB.pl?action=dereferer;url=http://odili.net/news/source/2005/feb/146.html)
[2] Chappell Neena et al, 2003. Aging in Contemporary Canada. Toronto: Prentice Hall. See chapter 3, p. 72, discussing knowledge building and older people in society.
[3] I am using the term culture-loggia management approach to mean culturally situated ways of identifying and addressing problems of life's crisis.
[4] Bascom, W. Ifa Divination. 1969. See also Abimbola. W. 1977.
[5] Gilchrist, C. and his Divination: The Search for Meaning.
[6] "Oracle," in its most basic term, refers to a culturally appropriated mode that speaks out, revealing what spiritual forces are active in one's problem or event and what might be done about them. Shrines, altars, incubation sites, temples, grottoes or caves, deity ground forests, trees and rivers are examples of oracular signification of presence. According to Karcher (1997:13), these symbols encourage special kinds of perception, a way to see through the surface of things and hear what is at work behind them. Oracles make the capacity to see, hear, and feel extra-human forces moving and acting in fostered sites of close encounters. Oracular sites give access to a divine mindset, a knower of fates, a world soul bringing both rational and phenomenal experiences and thoughts together. Oracular sites provide means with which to gather information about the invisible world through the source, nature, and power of the diviner/agent who has been chosen and planted in the professional sight by the extra-human force involved.
[7] Pierre, St. M & T.L. Soldier. 1995. Walking in the Sacred Manner: Healers, Dreamers, and Pipe Carriers – Medicine Women of the Plain Indians. Toronto: Simon & Schuster.
[8] Fieldnote March 1998.
[9] Here, the spirit pronounced that 400 naira should be paid, half on the spot, and the remainder at the commencement of the therapy.
Introduction to Igbo Medicine 3
IGBO MODES OF MOBILIZING EXTRAHUMAN FORCES TO RESPOND TO ILLNESS AND PROBLEMS IN SOCIETY - IGA N’AJUJU
(Part 3)
PATRICK IROEGBU*[1]
Alberta, Canada
patrickiroegbu@yahoo.com (mailto:patrickiroegbu@yahoo.com)
Both parts one and two of this presentation have outlined the definition and meaning of divination in the light of cultural device to manage episodes of illness in kinship based systems of society organization and relationships. Mirror divination is specifically elaborated to illustrate the sense of endogenous skills and creativity in a changing traditionism and modernism. This part three will take up two more modes of divination to establish the fact that modal variety is often a way of reaching deeper and broader layers of the cultural and cosmological fields of a society in the intervention and management of conflicts, health, social, economic, and political contours of troubled life and society. In the following, what palm and seed-object divination systems are in their processes and in their significances will be the main discourses.
Palm divination, afa olule aka Palmistry, also called “fate in your hand” (akaraka), is a common practice. Apart from specialists, commoners usually know and carry out palm readings (ile aka). Every person’s palms (obo aka) are marked differently, and each may have something to say about the current and future events in the life of the person whose palms are being examined. In this sense, the palm of the hand is crisscrossed with signs. Fingers and thumbs are also significant, as is the overall shape and texture of the hand. And the wrist wrinkles (“bracelets of life”) trace the pattern of overall health and life when figured in with the lines on the palm, thus weaving the life story of individual clients (Karcher 1997:42) into an unfolding tale. “Palmists” (ndi ole aka) are readers and interpreters of the palm markings (akaraka), and, in particular, the visible symbolic lines (akara gbaputara ihe).
But diviner/healers, in this case, go beyond the visible lines on the palm. They dig deeper in order to confront the hidden signs and bring out the unseen (akara zoroezo). In doing this, white powder, a mirror, perfume, and other objects, such as candle lights and burning incense, are usually employed. For example, in the examination of the hand of a patient, powder may be put in the hand and rubbed in well. A small divining mirror may then be placed on the hand to reflect underlying symbolic marks best known to the diviner/healer. A diviner constantly caresses the palm (obo aka), muttering questions and words in line with what she or he is observing. After all this, the healer identifies, in most cases, problems that the client may have encountered in his or her life. The healer will also warn against future misfortunes that might occur if nothing is done to balance events. Usually, ritual sacrifices will be indicated to solve ongoing problems and counteract future ones. People may consult this form of fortune telling to determine their future, improve their luck, determine what they are destined for in life, and how to go about achieving that destiny.
Particular healers, such as those dealing with owummiri, uke, and ogbanje, use palm examination as a “first call” to identify whether or not a patient belongs to any spirit cult, or to determine how fatal his or her case is and what therapeutic steps can be taken at that moment. In addition, the use of colours is important. The case below, in which a woman was close to death, illustrates this divination method. Case of a Woman Crying in Death Agony after Her Fifth Delivery Healer Nze Iwu Vernatius of Nsu, narrated this case concerning a woman who had contracted with her spirit to die after delivering her fifth child. Upon his arrival at the patient’s home, the healer found the people in a state of helplessness, and the woman’s husband was no less confused. The healer recalled how he worked and said:
He (the husband of the dying woman) quickly hauled me inside, where his wife was laying writhing in pain, struggling, and crying loudly. First, I took her hands and opened her palms for examination. When I looked closely, I screamed aloud. I called out for immediate rescue or she would die! I pleaded forthwith, addressing the spirits to give way. “Hold on!” (Chere nu!), my voice passionately thundered.
In her palms were two bold and large colours—one red and one blue. Nobody was seeing these colours except me. I called the woman’s husband’s attention to it, but he also couldn’t see it. I declared that she needed to be bailed out (ngbaputa) at once or else she would depart to join her group of water spirits. “Her group is all dancing around waiting for her to feast together. Your wife is an uke” (i.e., belonging to owummiri, the water spirit cult) She was left with two options: to die or become insane if she refused to join them.
Further to this palm divination finding, the healer pointed out that diviners are sometimes helped by what sort of cries the ill person voices. In line with this view, he reports of the dying woman:
She had been crying out, “how can I ever leave my four children and the last one, and to whose care? I know it is the fifth that we agreed, yet I am confused, unwilling, unwilling, unwilling.”
Recognizing the urgency of the situation, the healer went on: I requested that a hen that had laid eggs and reared chicks be brought to me quickly for the bail out (ina n’ebe). People moved into the gardens around and caught one. When it was brought to me, I went into service, and sacrificed the hen; with its blood I cleansed the blue colour, balancing all the colours into a unity of red (human blood) that gave the woman her life back.
It can be seen from this narrative that incidents like this call for immediate action and cool heads in the logic of sorcerous exchange (wete isi bia were isi). In order to deal with sensitive emergencies successfully, one requires a healer/diviner who is not only capable of identifying the problem on the spot, but is also able to rescue the patient by personally confronting the attacking forces. If not, the critical position (the blue colour in this instance) before such a healer would prevail without opposition. Offering the sacrifice cancelled the verdict (the blue), and changed it to red, normalizing the woman’s humanity. Significantly, the blue colour meant the breaking of ties (nkabi njiko) between the patient and his or her cult group. If the healer had not met the patient until the colour was black, the situation would have already reached a “deadend” (uka agwula), with no hope of rescue whatsoever. And this was close to taking place; no rescue would have occurred in the black colour zone, in which the sealing of the covenant would have been irrevocable. The black colour is a point of no return, a point where all negotiations are closed. The following box depicts this:
Palm divination reveals colours significant with covenants. They are namely:
Red: danger, blood
Black: dead-end, ended matter
Blue: breaking of ties, judgement
These basic colours indicate critical moments for the ill person. A healer reads them and interprets the implication of each colour signification. Therapy is therefore constructed on each colour indication, and may differ by intensity and type of resources needed to face it. Cases of insanity and traumatic distress are given proper care.
Box 1: Colours in palm divination and significance
Seed-Object divination, afa mkpuru okwe (igba okwe) This is the most ancient and popular of divination techniques still in regular use. In this device, each of the intervening objects or seeds represent or indicate a specific cause or source of the problem. A dibia who uses seeds to question the forces involved is described as “a specialist of a hundred seeds” (dibia ohu okwe iri). These seed objects are sacred and deeply symbolic. Apart from seeds, this divination may also include the use of beads (ego, okwe, ola), and symbols of the heart, cross, and seat (ube mgba, ekwe, oche). There are also symbols for agwu, such as a button, ear ring, plate, coffin, or chain, as well as fertility items such as gravel, breadfruit seed (udara, okwute), a precious stone, and male and female chimpanzees. The healer holds the key to the significance of these materials, which can only be revealed if it is considered necessary. For example, the ring may represent a woman’s sexual affair, and the seat may depict family affairs. When the cross and chain join together, this indicates that the client is chained or tied up. If it is the cross alone that appears during aetiological investigation, this indicates prayers. If it is agwu, it means that the client has an unresolved agwu problem, such as being called to become a healer; udara symbolises a marital relationship; and money (ego) indicates that the cure will be, or has been, ineffective.
The number of seed objects a diviner might use evolves according to his expertise. They may be even or odd in number, such as 16, 24, 35, 40, or 50. Only the diviner knows what each one represents, so as to protect their sacredness and secrecy, as well as their effectiveness. Divination seeds are not obtained just any way or any where; they are revealed by the cosmological field forces, and obtained through the knowledge shared by its practitioners within a system called isa okwe.
To diagnose problems, the diviner first scrapes some yellow kaolin (odo) and sprinkles it on the seeds. He or she licks white kaolin (nzu) and then perfumes his or her body. The diviner then takes his or her ofo dibia[1] and waves it over the seeds and stamps it twice on the seeds and ground. Doing this “activates the divinatory objects” (iwake okwe). This activation calls for the presence of the forces (spirits and ancestors) connected with divination. After the activation rite, the seed objects are turned into the diviner’s hand from whatever container they are being kept in, such as a tortoise shell (okpokoro mbe), a calabash bowel (ogbara mbele), or a basket (ekete, nkata). The diviner then begins building up energy with incantations. He or she will beckon and greet all of the spirits and ancestors to be present to hear the complaint of his or her client. Sometimes a healer might hear a “dim dim” or “gbim gbim” sound, indicating that the beckoned spirits are present, which will enhance accurate diagnosis. The spirits are never forced to assist. Forcing them is risky, as it may result in them fleeing the scene altogether or confusing the head and heart connected with divination. They may also “squeeze to death” a diviner who has forced them to act when they are not prepared to do so. A good diviner is always careful not to force unwilling participation, but will carefully determine the proper times and circumstances under which divination will occur.
At the point at which the energy is fully charged, and the presence of the spirit forces is sensed, a healer pauses and asks the client questions pertaining to his or her wish. He or she then continues to chant, transferring the seed from the right hand to the left hand. The diviner then finishes by indicating what he or she wants to verify and throwing objects onto an animal skin, mat, or marked-off space. The outlay, or sequencing, of the seeds is observed, read, and interpreted for the client in relation to the problem. Seeds could, for instance, point to a victim or a suspect in a case of theft. Follow-up questioning leads to further answers in regard to whether the individual suspected has really committed the offence, and how. A case in point is that of Ngozi Nweke, a sales girl at a Tonimaz petrol filling station. Fuel has long been a problematic issue in Igboland; despite the fact that Nigeria is a leading oil producer, fuel is often scarce, and that scarcity causes an increase in food prices due to high transportation costs.
In 1998, Ngozi and the two other salespersons were no longer selling fuel. Ngozi had been accused of stealing the proceeds from the sale of petrol, but she insisted that the accunited snakestion was untrue. She was traumatized by the harsh and aggressive treatment she suffered at the hands of her boss as the issue dragged on. It became obvious that Ngozi and her workmates had to leave the employee of the station, as they were no longer trusted. Ngozi and the other employees, bent on defending their innocence, were forced to contact their parents for advice on how to “go and ask” how the money got lost, and who actually participated in its removal. In the event that the money had, in fact, been taken by one of the salespeople, it was necessary to establish this. Thus, Ngozi and others involved in the situation embarked on a long journey to visit a recommended healer/diviner in Ngwa in Aba of Abia State.
Upon arriving at the diviner’s homestead, they were welcomed and Ngozi’s boss introduced himself to the diviner and told him that a problem had led them to him; they were seeking his assistance with their problem, and wished to hear that authoritative, extra-human voice. The diviner made the necessary preparations, collected the N200.00 (roughly US$2.00) consultation fee, and led the session. While saying, “whoever has taken the fuel money (ego mmanu ugbo ala), be identified!” (mbo mbo owu onye? – literally counting one, two, and three, who is it?), the diviner threw the seed objects down on the floor. One quickly ran to the feet of Uchenele, who was the junior brother of the boss and the main assistant in selling fuel. The other seeds stayed closer to one another, displaying a pattern the significance of which the healer would explain.
When this symbolic capture of Uchenele occurred, everybody looked at each other and back to the diviner. The diviner took his ofo and stamped it on the ground. He then looked up, and laughed in a very rollicking manner.
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As can be seen in this diagram, the seed formations A to D are uniform. Yet the seeds A-B-C do not invalidate the D formation. Out of the D seed formation, one seed fell out of formation, being detached from the others. Not only did that one fall out, but it also fell on someone. It fell on Uchenele, the brother of the boss. The diviner cleared his throat before asking Uchenele to identify himself as the culprit. The diviner warned him that his divination shrine is a sacred one, and is not a place to deny or argue the truth; it is a place essentially for finding evidence, a symbolic proof of reality (iji ihe egosi ihe, itunited snakes ago). Therefore, if Uchenele had done something, he should declare his position. If not, further investigations would reveal the true extent of his crime. Before Uchenele could reply, the diviner went further and told him the very Igbo market day on which the incident had occurred. In addition, the diviner revealed where the stolen money was hidden. The diviner then stopped and asked Uchenele to say something about the divination result. Although he was ashamed, Uchenele admitted that he had removed the money. He also confirmed that the other information the diviner had given was correct. He apologized for his actions, and confessed that he had hoped that he would not be discovered. The wrongly accused salespeople were exonerated and avenged. They regained the confidence of the boss, and their own sense of pride. Ngozi emphasized that there is truth in what diviners are doing. They are real, strongly authoritative, and eager to vindicate the just by creating a setting in which the offender or cause of problem can become known and dealt with customarily. Conclusion Over all, this paper of three parts, has shown that recourse to divination provides useful ways of critically examining interrelated, substantive questions about unwellness and various forms of distress. Consulting a diviner stems from the desperation and disappointment encountered in adopting common therapeutic methods of dealing with suffering, illness, and death. Igba afa (divination) provides certainty, explanations, and endogenously- situated and appropriate cures. It has also been demonstrated that the task of diviners consists of tracing caunited snakesl links between illnesses and social and cultural settings and conditioning. The forms of divination outlined produce a broad-based framework within which problems are addressed with proper ritual care. As demonstrated, the centrality and relevance of “going to ask” depends largely on the satisfaction, credibility, and support of all those involved.
A contention of this paper has been that, unlike other approaches to healthcare, examining misfortune through extra-human forces is a culturally sensitive move that enables people to address ill health, sorcery and witchcraft, disrupted development, unemployment, general unwellness, and a great variety of socio-economic problems, on their own terms. Despite persistent efforts to explain illness in biomedical or Christian religious terms, divination—properly speaking, “going to ask” (iga n’ajuju)—remains vital in the reasoning and acting of Igbo people. The main rationale behind the people’s decision to go and ask for divination and, indeed, the practice of divination, is that illness is primarily a culturally embedded experience. Ndi dibia ogba afa (diviners) play an increasingly central role by bringing together culturally symbolic, social, and existential approaches to the handling of clinical cases and other problems. It has been said, rather unkindly, that tradition has diminished and offers nothing significant in the field of caring for the health and wellness of people. Quite to the contrary, the Igbo example points out that the presence and functioning of the divinatory systems can help expand the approach to genuine diagnosis and healing today. Their going-to-ask system (iga n’ajuju) has deep cultural and existential meaning, and, as such, is unavoidably relevant to both the restoration of their souls and in mobilizing the strength of the body of society and culture in the explanatory premise of healing. Iga n’enyo, or going to view the mirror oracle, as well as the other cultural divination modes discussed here, not only makes sense for the Igbo, but also serves as indisputable verification of the facts related to suffering, and as a provision for identifying proper solutions. ………………………………………………………………………………………………………………………………
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Endnotes [1] In general, women do not handle ofo. Women healers use alternative symbols relative to their shrine and medical expertise.